Sydney Theatre reviews of the bold, the brilliant and often obscure...

Friday 24 February 2017

Member


Member 



 In the tiny fifty-seater performance space above the World Bar in Potts Point; master storyteller Ben Noble, Blood Moon theatre and Fairy Lucid productions bring Member to life in this thrilling one man show.
I was privileged to experience this multi-layered spellbinding yet spine-chilling tale on its opening night.
The play opens at the conclusion, gathering the threads and reasoning’s behind the unhinged emotions of gang mentality. Member takes the audience on a twisted journey into the minds and behaviours of a small minded community's reactions to homophobic attacks on teenage boys at Manly Head in the late 1980’s.
Spoken from the emotional perspectives of at least fifteen skilfully transformed characters. 
A particularly memorable and outstanding scene of a birth comes to mind, as Ben dynamically flipped from character to character, using impeccably timed pauses adjusting his vocal timbre and body language to create a harmonic and beautifully poetic rhythm. The simplicity of the staging and lights emphasise the significance of the sobering piece. However, odd moments of witticisms burst forth from many of the colourful characters throughout, lifting and bringing a balance to the complex plot.
This is a play, about identity; social acceptance, stolen innocence and the lack of support surrounding these assaults. Noble’s play exposes a society that turns a blind eye to these events by normalising homophobic grooming and amplifying aggression in Australian male stereotypes. Eventually spiralling into a cyclic causality of history once again repeating itself, unearthing the seeds of memories deeply ingrained, but never truly forgotten.
Riveting and bursting with emotional turmoil, Member had a strong impact and left me speechless and on the edge of my seat. I felt as if I were on a runaway train, waiting for the inevitable crash.
Member will be playing as part of the Mardi Gras celebrations up until the 4th March and is definitely one to watch.

Buy Tickets here

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Sunday 19 February 2017

Barbu

Barbu 

- Sydney Opera House 8th Feb - 4th March




There is only word to describe Barbu and that is WOW!  Not the Cirque Du Soleil sort of wow (which is a pretty big wow). I'm talking super zany slapstick out there and very very queer sort of wow. 
Cirque Alfonse could very well be the smaller, wilder and rebellious younger sibling of the aforementioned Soleil. Barbu combines pure in-your-face comedy with a variety of highly skilled circus acrobatics and delightful peculiarities. All this is performed by some very sexy bearded men and women on a tiny stage in the Opera House's studio theatre. 
Barbu invigoratingly dismantles any gender appropriating beliefs with enthusiasm and will have you laughing until you wet your pants! 
One character that had a big impact on me was The Mentalist played by Lucas Jolly accompanied by his pet rat Milette. This double headed Mad Scientist/ Failed Magician reminded me of a cross between Dr Frankenfurter from Rocky Horror show & Doctor who's arch Nemesis - The Master. 
This fabulous spectacle was accompanied by a group of hectic musicians and and a psychedelic digital backdrop that heightened the already buzzing atmosphere that kept us hooked throughout, including a few surprising moments of brief nudity. Sometimes there was so much going on you just didn't know where to look.
Cirque Alfonse's chaotic and mesmerising show comes in the exciting run up to Mardi Gras where everything finally turns gaymazingly normal for a little while. Barbu with extra beards glitter and sparkles will be playing at the Opera house until the 4th march. Get your tickets while they are sizzling hot... Remember first person to laugh gets a bitch slap!

Saturday 18 February 2017

Blink

This Saturday I had the pleasure of attending the opening night of Blink at the Kings Theatre in Kings cross. Blink is a delightful witty and wistfully quirky tale with a few bizarre imaginative spins thrown into the mix. The two naive and socially awkward characters played by Charlotte Hazzard and James Ragget, each delicately intertwine their parallel journeys until a surprising and melancholic twist brings them together;But I'm not wanting to give too much away here. I became instantly lost in the strange world of these two oddities, held together by the strength of the actors as they comfortably played off each other through several accent changes and smooth character transitions. Although, I felt the intreging story of Sophie disappearing, definitely could have gone further. This captivating  story was brought to you by the enigmatic mind of Phil Porter and directing and production team of Luke Rogers and Peter Gahan who magically whisk us into a warm and inviting space. With the use of a simple yet effective set played in the traverse that created a beautifully balanced light and soundscape. This endearing production had me enchanted from beginning to end. Blink will be running at the Kings Theatre until 4th March. http://www.kingsxtheatre.com/blink/